267 Royalty-Free Audio Tracks for "Common Chord Modulation"

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

V/V-V-I in C, in four-part harmony.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Minor eleventh chord in Herbie Hancock's "Maiden Voyage".

Chord progression with diminished seventh chords added.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

V of V in C, on guitar.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Tritone substitution (for V) notated as Italian sixth.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Quintfallsequenz in Schuberts Es-Dur-Impromptu op.90,2

Fifteenth chord from Perry on C

A beat normally used in thrash metal. I made this sample in acoustica beatcraft.

Taken in the malloy commons at loyola before school.

Sirviendo agua con una jarra en un vaso.

The sound of me ringing a small tabletop bell twice. Recorded in my bedroom with a headset mic.

A common light switch being turned to the off position.

Sound sheen is very common in the world languagesby: maqsood hasniabuzar barqi kutab'khana dec. 2019.

This is an original copy, paste, and mix, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

It's a free victory sound and you can use it if you want. Use it for video games, videos, etc, 0% creative commons (:.

Layered synth pads, sampler patch, strong processing. Dmin7 chord. 100% homegrown.

This is the 3rd of a set of electronic snippets inspired by my recent database course. This is the only piece that does not loop. Created in garageband.

A bunch of noises from around the house, just experimenting with a contact mic really. The coffee maker at the end is really neat though.

Bats recorded along the lagan river near belfast in september 2019. This recording was originally made at 192 khz but the registered sample rate has been changed to 16 khz in order to make their ultrasonic calls audible in playback. In this excerpt you can hear social calls (the trills), soprano pipistrelle echolocation (the higher pitched chirps) and common pipistrelle echolocation (the lower pitched chirps). Recorded on a sony pcm d100 using knowles ultrasonic mics. Noise reduction has been applied.

Error sound.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

This is the sound of a garage door closing from the inside of the garage. Recorded with a mixpre 3ii and a pair of audio technica at943 microphones in stereo.

A simple set of "droplets" made with the intention of becoming a slogan tune. Although i decided to upload it here instead. Made with fl studio 10 - producer edition using the 3x osc and a lot of mixing! free for all use. Commercial and noncommercial.

Sneezing loudly.

Bass flageolet in c.

Just a shower on/off chord being pulled in my bathroom.

Part of qso with i1ulj. He used home-brew tx - power only 3 watts. Good strength but ac modulation. My antenna low doublet 80 m. Recorded: nokia 6230i, trx loudspeaker - phone mic (ft-897, qth jn79nd).

I recorded some sounds of a mug half-full with tea. Recorded (in order):spoon clickingbrushing the back of the spoon on the top of the mugputting down the mugmoving the mugstirring.

Alien female and animals voices modulations and sound effects fragment 01.

Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

I was on "toad patrol" (saving toads from busy roads / help them to cross the roads) and recorded some toad cries from my bucket :)support or donate to your local wildlife organizations!.

Electric guitar some sloppy a blues, fuzzy and dirt heavy.

This is a short sample of my kargyraa throat singing, with some re verb. I have been practising throat singing for about 4 months, this is the result i have so far. You can use this without any credit, it did not really take much effort either haha. Enjoy! :). If you would like some more throaty/chant samples then please message me. Thanks!.

Polyrhythmic synth sequence. Exploring with ring modulation.